11/8/2022 0 Comments Marshall amp serial number lookup![]() With all of the attention paid to its majestic roar, it’s easy to forget that the Plexi has rich, harmonically bountiful clean tones at the ready, if you back off your guitar’s volume control and lighten up your playing dynamics - as pretty much any live Hendrix recording illustrates. What’s more, by the ’70s the Super Lead Plexi’s large filter cap arrays were used to give the solid-state rectified amps a stiff, solid low end, and the gut-punching cha-chunk we have all grown to love.Īnd while the EQ complement of presence, bass, mids, and treble controls allow for subtle tone shaping, the key to dialing in the Super Lead Plexi is by jumping the input channels and blending Volume 1’s bright sound with Volume 2’s bass-heavy, darker tone. 68uf cathode bypass cap, enhancing the midrange drive that is synonymous with “Marshall Tone.” The move to E元4s added volume, punch, and by this time, the input tube featured a. With four E元4 power tubes, a solid-state rectifier section, and a 4x12 cabinet - or two - typically loaded with 25-watt Celestion G12H ceramic speakers, the Plexi is much more aggressive sounding than previous Marshalls. ![]() Instead, the 100-watt Marshall JMP Super Lead head was released in 1965, originally inspired by a request for a 100-watt head from The Who’s Pete Townshend. MARSHALL AMP SERIAL NUMBER LOOKUP FULLThe petulant upper-mid roar and weighty lower-mids of the Marshall Super Lead through a Marshall 4x12 cabinet is a foundational timbre for rock rhythm guitar, as fail-safe and full of dynamics in the studio as it is on a stage.ĭon’t be fooled by the model number “1959,” which does not refer to the year of manufacture. ![]() Eddie Van Halen on VH’s classic first five albums? Plexi. Jimi Hendrix in full flow on Band of Gypsys? Plexi. Listen to the Marshall Bluesbreaker 1962 for UAD-2 and UA interfaces and hear for yourself the range of sultry, rich tube tones. Ultimately, the Bluesbreaker thrives in any situation a rounder, more burnished brand of low-to-medium gain Marshall fury is required. MARSHALL AMP SERIAL NUMBER LOOKUP PATCHBy jumping the the inputs with a patch cable, you’re able mix the darker and brighter channels together for all kinds of tonal variations. ![]() The Bluesbreaker features two channels: Normal (for a darker tone) and High Treble (for a much brighter sound), with a total of four inputs. This gives the Bluesbreaker its organic, smooth output-stage compression, and lovely “bloom” on sustained notes. ![]() The low-wattage Celestion alnico speakers also add their own compression and breakup characteristics, especially when the amp is cranked.Īlso noteworthy is the Bluesbreaker’s GZ34 tube rectifier, rather than the solid-state rectifier found on Marshalls from 1966 on. For starters, its open-backed cabinet yields a less directional sound without the low-end knock of iconic 4x12 setups, and the dual KT66 power tubes yield a slightly more bell-like top end, and a clearer, less rabid midrange bark as later E元4-equipped Marshalls. The alarming aggressiveness and snarling sustain Clapton conjured from his Les Paul Standard/Marshall setup was startling, and became ground zero for god-like rock guitar tone.Įssentially an early JTM 45 head - created by Ken Bran and Dudley Craven - with an added tremolo circuit, the “Bluesbreaker” as it became known, sports all of the Marshall calling cards singing sustain, punchy and present lower mids, and biting, yet smooth treble roll off.īut the Bluesbreaker is a different beast than more modern Marshall designs. Introduced in 1964, the Model 1962 combo was forever immortalized on the strength of one album - John Mayall’s Blues Breakers Featuring Eric Clapton. ![]()
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